General News

Renowned artist and educator Behailu Bezabih passes at 66

The art world in Ethiopia feels a little quieter today. We learned that Behailu Bezabih, a painter and teacher who really defined what modern art meant for so many of us, passed away on April 10, 2026. He was 66. It’s hard to imagine the halls of the Alle School of Fine Arts and Design without him, considering he spent such a huge chunk of his life there, not just teaching, but as the Associate Dean for Research and Technology Transfer. I remember walking past his office—you could always smell the faint, sharp scent of turpentine and old paper lingering in the corridor, a permanent reminder of the work being done inside.

He was born in Addis Ababa back in 1960. That’s a long time to be deeply embedded in one creative scene, starting with his own graduation from the Alle School in 1980. After the Derg regime fell, he was right there in the thick of it, helping figure out what Ethiopian art should look like in a new, changing era. Misryoum notes that he was a founding member of the Dimension Group, which basically turned the local scene on its head by pushing boundaries people didn’t even know were there.

His art felt spontaneous, almost like he was thinking out loud on the canvas. It wasn’t stiff or overly calculated. Actually, he always credited his time teaching children at Hiwot Berhan Elementary School for that specific, raw energy. He felt those kids taught him how to be authentic again. Or maybe it was just his natural way of looking at the world—either way, it worked.

He leaves behind a legacy that stretched way past our borders, honestly. His work traveled across continents, and he became a major voice in the narrative of what modern African art represents. It’s a huge loss, really. He wasn’t just a professor or a painter; he was a bridge between the old guard and whoever was coming up next, though I’m not sure anyone truly replaces that kind of presence.

It’s quiet now. The students, the colleagues, they’re all reeling a bit. Misryoum reports that his impact on nurturing creativity in his students was perhaps his greatest achievement. He pushed them to link our deep cultural roots to the weird, experimental stuff he loved so much.

We will miss his perspective. He just… he had a way of seeing things that most people miss in the day-to-day grind. It’s a shame he’s gone.

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General News

Renowned artist and educator Behailu Bezabih passes at 66

The silence in the studio feels a bit heavier today. News reached us that Behailu Bezabih, a towering figure in our local art scene, passed away on April 10, 2026. He was 66. It’s hard to imagine the Alle School of Fine Arts and Design without his presence, honestly—he’d been a fixture there for so long, balancing his role as an Associate Dean with a genuine, infectious desire to just get students to create something real.

Born in Addis Ababa back in 1960, he started his own journey at the Alle School and graduated in 1980. That was a different time, of course. He eventually became part of that critical post-Derg wave of artists who looked at our cultural heritage and decided it needed to breathe differently. He wasn’t just painting; he was redefining what Ethiopian art meant for a whole new generation. Or maybe he was just finding his own way through it, which ended up being the same thing.

He helped found the Dimension Group, which really shook things up. It’s funny, because while he was known for these massive contributions to the modern art movement, he used to talk about how his time teaching kids at Hiwot Berhan Elementary School influenced his brushwork. He said it helped him tap into that raw, unfiltered instinct. You look at his work and you see that—the spontaneity, that freedom. It’s a bit strange to think that such sophisticated canvases were fed by the simple honesty of a classroom full of children.

He leaves behind a legacy that stretches way beyond our borders. People across continents recognized his work as the evolving voice of Ethiopia’s modern narrative. It wasn’t just about the technique, though he had plenty of that. It was the mentorship.

He taught, he led, he painted.

I remember passing by his office once—the smell of old paper and linseed oil always seemed to cling to the hallway nearby—and thinking about how many young artists passed through his door. Some probably didn’t even realize how much he was steering them until years later. He wasn’t just a professor; he was a bridge. A bridge between the rigid traditions of the past and whatever it is we’re doing now. The art world here—well, it lost a real one. It’s going to take a while for the community to process this, honestly.

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