The Three Musketeers’ Stunts Prefigured Disney’s Pirates

Released on November 11, 1993, Disney’s The Three Musketeers took a familiar ‘90s adventure recipe—lighthearted comedy, charismatic villains, and English/American-accent energy—and backed it with stunts done for real. Even years later, it still feels like a bl
On screen, the movie rushes at you with sword fights, chase sequences, practical explosions, and a kind of nonstop momentum that ‘90s action movies did better than anyone. But behind The Three Musketeers is something even more telling: it was built to be seen, not faked.
Disney released the swashbuckling adventure on November 11, 1993. It runs 105 minutes, is directed by Stephen Herek, and written by David Loughery. Produced by Joe Roth. Jon Avnet. and Jordan Kerner. the film follows a young D’Artagnan—played by Chris O’Donnell—who travels to Paris hoping to become a musketeer like his father.
What he finds instead is chaos. The musketeers have been disbanded by Cardinal Richelieu (Tim Curry). who intends to assassinate the King and seize control of France. D’Artagnan has only the rebellious. titular trio to rely on: Athos (Kiefer Sutherland). Porthos (Oliver Platt). and Aramis (Charlie Sheen). To save both the musketeers and France, he must join forces with them.
The movie landed with a mixed reception from critics at the time, earning a low 33% score on Rotten Tomatoes. Still, it didn’t sink commercially. The Three Musketeers opened at number one. brought in $53 million against a roughly $30 million budget. and proved the audience wanted exactly what it delivered—big. fun entertainment without apology.
Part of that pull is the era it comes from. The film takes place in 17th century France and leans into light-hearted comedy and entertaining villains. It’s also unmistakably ‘90s in its sound: the cast largely speaks English with American accents. while the performers who don’t have American accents are described here as very British. Villains are played by Michael Wincott and Tim Curry. and the whole thing comes wrapped in that familiar ‘90s willingness to make the laughs come quickly. even when the stakes are high.
But the standout, the thing that keeps the movie from feeling hollow now, is how much of it is practical. The stunts are in-camera—from chase sequences to sword fights and practical explosions. The actors performed the choreography themselves, and the leads trained for two months at Musketeer Boot Camp before filming. The production also reportedly shot on location in Vienna, using hundreds of horses and thousands of costumes and extras.
By the time the film reaches its climax. it doesn’t just look larger—it feels large in the way only an in-the-room spectacle can. Hundreds of extras fight alongside D’Artagnan and his allies. and the final stretch lands with the kind of epic scale that money can’t fully explain. but practical craft absolutely can.
There’s also an odd kind of resonance when you watch it back and start thinking about what came later. The film has the tone associated with Jerry Bruckheimer—everyone taking the material seriously without taking themselves too seriously. Heavy moments get time to breathe, but the movie is primarily about fun escapism rather than heavy drama.
And if you’re looking for a bridge to Pirates of the Caribbean. the parallels are hard to ignore: a young. naive hero enters a world he knows little about; he has a dead father who is respected in that world; the three veteran figures teach him the ropes while functioning as the franchise’s most charismatic. quotable guides. In The Three Musketeers. D’Artagnan is described as essentially a Will Turner-like figure—Orlando Bloom’s role in Pirates—only instead of being ashamed of his father’s background. D’Artagnan is proud of it. aiming to live up to his father’s reputation.
Even an action beat—the mention of an action scene around a failed public execution—points to the same kind of swashbuckling showmanship that would become a signature.
Where the comparison gets especially interesting is how different the two feel as time passes. In the immediate moment, the humor matches the goofier side of Pirates. But thematically, The Three Musketeers can come off more adult when watched in retrospect. The film has a surprisingly big body count, with many henchmen being stabbed, shot, impaled, or falling to their deaths. And because it’s a ‘90s movie, everyone is overtly “horny” to a hilarious degree.
None of that stops the movie from ending the way it wants to: with an old-school happy ending and a Bryan Adams song playing as the credits roll. It’s the kind of ‘90s product of its time that also comes back around. feeling. stubbornly. timeless—heroes high-fiving with swords and then fighting bad guys when the movie tells them to.
The Three Musketeers Disney 1993 film Stephen Herek David Loughery Chris O'Donnell Tim Curry Kiefer Sutherland Oliver Platt Charlie Sheen practical stunts Musketeer Boot Camp Pirates of the Caribbean