“It feels very special to be given a space like this to immortalize your name,” Bardem told AFP. The Oscar-winning actor said getting his hands and feet into the Chinese Theatre’s forecourt was “a humbling experience.” “When I think about the names that have stood on this very spot, it’s hard for me to believe that it’s real,” he said during a ceremony thronged by fans on sunbaked Hollywood Boulevard. The tradition, which began accidentally during the construction of the theatre, has preserved the imprints
of more than 200 stars spanning nearly a century of cinema. Directors Denis Villeneuve and Michael Mann introduced Bardem. Villeneuve — whose “Dune: Part Three,” featuring the Spanish actor, premieres in December — praised Bardem’s chameleon-like ability to bring diverse characters to life over his more-than three-decade career. “Javier can confidently change his person now to become somebody else, driven by a new logic, driven by new feelings and new perspective on reality,” the Canadian filmmaker said. “He seems to do that without effort, with
grace and tremendous generosity. His metamorphoses are spectacular.” Bardem began his career in Spain and burst onto the international scene in Julian Schnabel’s drama “Before Night Falls.” He won over the Academy with his portrayal of the sinister Anton Chigurh in “No Country for Old Men,” earning the Oscar for Best Supporting Actor. His latest film “The Beloved,” recently debuted at the Cannes Film Festival, while Bardem is also making his mark on television in Apple TV’s adaptation of “Cape Fear,” in which he plays
the feared Max Cady.
Javier Bardem, Hollywood Boulevard, Chinese Theatre, forecourt, hand and foot imprints, Denis Villeneuve, Michael Mann, Dune: Part Three, The Beloved, Cannes Film Festival, No Country for Old Men, Cape Fear, Apple TV