USA Today

Ben Shapiro’s decline accelerates after MAGA fractures

Ben Shapiro’s – Ben Shapiro once dominated parts of right-wing media—now his social reach has dropped, the Daily Wire has undergone multiple layoffs since 2025, and a volatile shift in the MAGA ecosystem has left him struggling to stay relevant. In an excerpted conversation,

A few years ago. Ben Shapiro was the kind of figure right-wing audiences seemed to treat as default—his podcast near the top of the charts. his media brand. the Daily Wire. often winning the social-media battle on Facebook. and his company pushing into entertainment with “anti-woke” comedies and an epic fantasy series that reportedly cost millions of dollars per episode.

Now, that momentum feels like a memory. Shapiro’s social media traffic has collapsed, according to reporting by the Washington Post’s Drew Harwell. The Daily Wire has also gone through multiple rounds of layoffs since 2025. Its epic fantasy series flopped. and on Shapiro’s own YouTube page the struggle to connect with the moment shows up as forced. reactive videos—him reacting to trending culture rather than setting it.

The sharper question is what happened in the background while that decline played out in public. Ryan Broderick—an internet culture reporter who publishes the Garbage Day newsletter—offers a blunt explanation: “The age-old problem with working at the racism factory!. They eventually make a new racism that includes you,” he wrote in May.

In an excerpt from a conversation on the Today, Explained podcast with co-host Noel King, Broderick ties Shapiro’s predicament to a far-right shift in the MAGA universe—one shaped, he argues, by a new loyalty test forming around Israel.

Broderick says the debate over whether American conservatives should support Israel has become a deciding factor in who gets canonized in the “new wave of MAGA. ” and that some creators reject involvement with Israel in ways that he characterizes as both antisemitic and isolationist. while still recognizing that crossing this kind of red line can bring attention.

Because Shapiro does not fit that pivot—Broderick points out that Shapiro is an Orthodox Jew who supports Israel and is “a fairly standard conservative”—he can’t easily follow the direction the loudest currents want to go.

As King presses him on who else is driving the anti-Israel vibe shift. Broderick names Nick Fuentes as the central figure. He describes Fuentes as the “de facto leader” of the far-right “Groypers. ” citing Fuentes’s daily live stream and calling him the kind of far-right personality he believes many people would find “vile.” Broderick also says more creators are moving toward Fuentes as the vibe changes.

He adds that Candace Owens has claimed that Charlie Kirk was killed by Mossad. He also points to Tucker Carlson and Megyn Kelly. along with other commentators he groups as conservatives who “understand that Trump is not popular. ” trying to find “new territory.” Broderick even mentions Tim Dillon. saying some “manosphere” voices have begun to go against Israel.

Broderick argues that social media rewards the newest and most taboo idea, which makes these anti-Israel talking points spread faster. He says critics of Israel range from Owens to figures like Kelly, but he believes they share a common root: Charlie Kirk.

In Broderick’s telling, the MAGA movement is not one single movement or ideology. He describes the 2024 winning coalition as a mismatched blend of far-right live streamers. manosphere podcasters. neoconservatives. and the TPUSA/Charlie Kirk “middle-of-the-road” MAGA wing. He says Charlie Kirk was instrumental in keeping much of that patchwork together—at least because. to some people in the coalition. Kirk looked like a potential replacement for Trump.

Then Charlie Kirk died, and Broderick says the alliances began to fail and re-form in messy ways.

Broderick portrays the months after Kirk’s murder as a period when the usual synchronized messaging stopped working. He says that instead of coordinated efforts landing in mainstream awareness. creators were no longer moving “in lockstep” and were fighting more openly with each other. including “telling on each other.” He offers examples from online attention: he points to “Sydney Sweeney’s jeans” and “Cracker Barrel” as cases where talking points had surfaced widely. but says that this kind of coordinated push wasn’t happening the same way in the months immediately after Kirk’s murder.

He also describes the current scene as unstable and unusually public about internal conflict. He mentions Ashley St. Clair as an example, saying St. Clair is on TikTok sharing secrets from inside the MAGA movement and going on Hasan Piker’s stream. Broderick frames the whole system as dependent on internet attention and monetization. making even the most “stuffy” digital-era figures nervous about what comes next.

In that environment, he says Shapiro’s style—his “sobriety”—doesn’t travel as well. Broderick argues that Shapiro once drew in older audiences because he seemed young, well-spoken, and pugnacious. Now. he says. Shapiro looks and sounds old. as if he doesn’t know what to do on TikTok or how to read which cultural figures matter. Broderick extends that idea by saying Tucker Carlson, even if he is still surviving, appears scared of Nick Fuentes.

King pushes back toward the generational question: are the old figures being left behind, and are the new ones worse?. Broderick says Shapiro’s early success came from a specific approach—building a digital media company that looked “hip and cool” to older conservatives. then using the resulting money to dominate Facebook and grow quickly.

He also criticizes what he sees as the Daily Wire’s older internet ambitions, saying its preoccupations with dominating Hollywood feel “very old” to him—like what he calls “an 80-year-old conservative’s fever dream of what the internet could be.”

Broderick says the situation has only intensified in the last year or two. arguing that the Trump movement has moved beyond the need for someone like Ben Shapiro. He references DOGE and Project 2025. as well as “ICE occupations. ” and also mentions “JD Vance/AI stuff. ” saying that in all that. Shapiro doesn’t feel central anymore.

The conversation ends by circling back to whether Shapiro’s decline will be missed. Broderick says yes—though not in the way fans might expect. He argues that when right-wing digital publishers began leaning into the internet in the early 2010s. they connected American conservatism—and global conservatism—to the “sea changes and tides” of online discourse. He says the internet has a tendency to push politics toward what’s most taboo and most exciting.

If every major conservative figure is making money directly from the internet. Broderick argues. there’s no incentive to become more moderate. He says he believes that can pull politics toward extremists—describing scenarios like “white nationalist. race-science Substack nonsense”—and he argues that’s already visible now. In that frame. he says he doesn’t expect a return to earlier efforts like Prager University or the Daily Wire trying to offer a “sensible conservative’s reaction” to popular culture content like Cardi B’s “WAP.”.

Ben Shapiro Daily Wire MAGA Charlie Kirk Nick Fuentes Candace Owens Tucker Carlson Megyn Kelly Israel Ryan Broderick internet culture

4 Comments

  1. I don’t even watch him but I saw the headline and figured the MAGA split did it. Like people can’t make up their mind anymore, so of course his views drop.

  2. Wait so is he declining because the Daily Wire got laid off, or because his fantasy show cost “millions”?? Those are two totally diff things. Also YouTube reacting videos could be literally normal like that’s what everyone does now.

  3. Every time someone says “anti-woke” comedy I cringe, and apparently the fantasy series flopped (no surprise). But the part about MAGA fracturing… I’m confused because MAGA is basically one thing to me? Like if one guy drops off, that’s not the whole movement, that’s just him getting older or whatever. Also “social reach collapsed” could just be the algorithm, but they act like it’s destiny.

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