Giant movie – John Lithgow’s Giant, a major Broadway play, will stream as a filmed live performance in theaters starting Nov. 19. Tickets go on July 9.
A Broadway stage hit is about to step off the marquee and into the dark of the cinema: the filmed-live production of Mark Rosenblatt’s Giant, starring John Lithgow, will reach movie theatres this fall, with screenings beginning November 19.
The theatrical broadcast is scheduled for the U.S., Canada, the U.K., Australia, and additional international territories.. Tickets will go on sale July 9. and viewers are directed to GiantInCinemas.com to find a screening near them—an easy point of access that’s helping fuel the buzz around this season’s live-stage film trend.
Giant’s movie-theatre release is built around a filmed, live performance captured from the play’s London West End run.. Lithgow stars as Roald Dahl. the celebrated children’s book author. with Aya Cash—known for The Boys—playing U.S.. publisher Jessie Stone.. Elliot Levey takes the role of Dahl’s Jewish publisher, Tom Maschler, while Rachael Stirling appears as Felicity Crosland.
For audiences paying attention to casting continuity. the broadcast also reflects the show’s momentum on both sides of the Atlantic: all four lead performers are currently reprising their roles from the Broadway opening.. The film further includes Tessa Bonham Jones as Hallie and Richard Hope as Wally.
Beyond the screen, the production’s critical recognition is already stacking up. Giant is currently nominated for four 2026 Tony Awards, including Best Play, Leading Actor for Lithgow, Featured Actress for Cash, and Direction for Nicholas Hytner.
In London, the reception has been similarly strong.. The West End run won three 2025 Olivier Awards. taking Best New Play. Lead Actor for Lithgow. and Supporting Actor for Maschler—wins that underscore why the play’s themes are landing with theatre audiences and why the jump to cinema feels like a natural next step.
This announcement also places Giant within a wider push to broadcast stage work to broader audiences through live stage films.. It is one of two plays this season—so far—that will bring live theatre performances to cinemas.. Roundabout Theatre Company’s Fallen Angels, for instance, is set to livestream a performance in June.
In this context. the choice to film Giant appears less like a one-off experiment and more like an answer to a familiar question: what happens when theatre’s immediacy is paired with a much larger viewing footprint?. The production’s ability to reach viewers “around the world” through cinema is likely to reshape how audiences discover new plays. especially for those who can’t make it to Broadway or the West End.
The behind-the-scenes team for Giant’s film broadcast includes producers Brian and Dayna Lee. Stephanie Kramer and Nicole Kramer. Josh Fiedler and Robyn Goodman. along with Royal Court Theatre. in partnership with Trafalgar Releasing.. The collaboration signals that the project is being positioned as a serious theatrical release rather than a casual sideline.
There is also a cultural layer hovering over the story of Dahl himself.. The play arrives amid a broader conversation about Dahl’s work and the prejudice embedded in many of his stories.. In 2023. hundreds of words in Dahl’s books were altered or omitted from future printings with the aim of removing negative references connected to race. skin color. ethnicity. gender. disabilities. and more.
That background helps explain why the play’s questions are resonating beyond plot alone.. Lithgow’s statement. describing audience reaction night after night. points to a production that draws viewers into its moral and historical tensions in real time—an experience theatregoers often feel immediately in a live room.
Lithgow also framed the cinema broadcast as a way to widen access without diluting immediacy and intimacy. highlighting the “close-up” nature of a performance captured for the big screen.. For many viewers. the appeal may be the same: a filmed-live theatre production can make the emotional texture of performance feel closer. even from far away.
Rosenblatt’s play was written as his first. and the sweep from the Royal Court to the West End and then Broadway is now extending again through the cinema format.. The filmmakers and creative team credited for bringing the world to life include scenic and costume design by Bob Crowley. lighting design by Anna Watson. and sound design by Darron L West.
With screenings tied to a specific start date and a clear ticket launch. the momentum around Giant is now shifting from the theatre calendar to the movie calendar.. Fans who want to experience the production in cinemas can check GiantInCinemas.com. while those tracking the play’s broader footprint can also find details at GiantThePlay.com.
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