While historical shows about monarchs like The Crown, Victoria, or The Tudors are all the rage with a certain audience, taking the idea of royalty and imposing it on our contemporary world is a bit of a tougher sell. After all, most don’t want to be ruled by a king. Perhaps that was some of the brilliance of the short-lived NBC series simply titled, well, Kings. It’s unlikely you’ve ever heard of this 12-episode series, but if you have, then you’re probably still pining for Michael Green‘s contemporary (and highly speculative) take on an age-old story.
‘Kings’ Was a Bold New Take on the King David Story Set In an Alternate Universe
From the get-go, Kings was nothing like you had ever seen on network television before. Inspired by the Old Testament story of David and Saul, the royal drama departed from that source material to focus on the entirely fictional Kingdom of Gilboa. Ruled by King Silas Benjamin (Ian McShane), who was divinely chosen by God himself for the task, it picks up many years into his reign when a young soldier, David Shepard (Christopher Egan), takes down the secret weapon of Gilboa’s neighboring enemy Gath: the Goliath tank. The biblical names were just enough to clue audiences in on the type of story that Kings meant to tell, but also divorced enough from the original text to remind viewers that this was not meant to be a 1:1 adaptation. Nothing had ever been done like this on television before, and NBC went all out to make it happen.
Collider Exclusive · Universe Personality Quiz Which Iconic Universe Do You Belong in the Most? Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek
Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.
🚀Star Wars
💍Lord of the Rings
🧙Harry Potter
👑Game of Thrones
🖖Star Trek
01
What gives your life its deepest sense of meaning? Every universe is built around a different answer to this question.
02
Which kind of world do you most want to inhabit? The environment shapes who you become. Choose carefully.
03
How do you prefer your conflicts resolved? The shape of a world’s conflicts tells you everything about its soul.
04
Who do you want beside you when things get difficult? Your ideal companions reveal the world you were made for.
05
What is your relationship with power? How you seek, wield, or resist power is the map of who you are.
06
How does your universe treat good and evil? A world’s moral architecture tells you more about it than any map.
07
What role would you naturally fall into? Every universe has archetypes. Which one fits you without trying?
08
What do you ultimately believe about the future? The answer to this is the clearest window into which universe already lives inside you.
Your Universe Has Been Chosen You Belong In…
Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.
A Galaxy Far, Far Away
Star Wars
You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.
You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.
Middle-earth
Lord of the Rings
You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.
Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
Those are not burdens to you. They are simply how you move through the world.
The Wizarding World
Harry Potter
You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.
The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
That choice — made quietly, without guarantee — is something you understand completely.
Westeros · The Known World
Game of Thrones
You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.
Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
Winter always comes. You are already prepared.
The United Federation of Planets
Star Trek
You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.
Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
You don’t just hope that’s possible. You think it’s the only thing worth working toward.
As Kings continued, Silas’ place on the throne comes under scrutiny as it begins to seem that David now has God’s favor — and that of the Reverend Ephram Samuels (Eamonn Walker). This is the exact conflict between the shepherd David and Israel’s King Saul, but unlike the Old Testament tale,Kings took these characters in a different direction. From the beginning, the series was incredibly ambitious. McShane delivered a profound and powerful performance as Silas, revealing a man who wrestled with his loosening grip on power and the lengths he would go to secure it. His complicated relationship with his children, Jack (Sebastian Stan) and Michelle (Allison Miller), pushed the Benjamin family nearly to the brink.
It didn’t help that Silas had a secret family elsewhere, away from the prying public eye. While the entire cast is quite brilliant, it’s McShane who made Kings such a dramatic spectacle to behold. His ability to command the screen is like something out of theater rather than television, and yet it’s that very boisterous and dramatic nature that spoke so well to the role he played. As David so quickly rises to “hero” status in the capital city of Shiloh, gasoline is only poured more intently on the burning fire that is Silas’ slipping sanity and desire to maintain the crown.
Kings wasn’t afraid to take liberties with the source material by consistently reminding viewers that this wasn’t meant to be a true adaptation. While future projects like ABC’s short-lived (and terrible) Of Kings and Prophets or Amazon’s current streaming powerhouse House of David are meant to translate the material more directly, that was never Green’s intent here. He only used the story as a basic framework for how Gilboa would function — and the growing conflict between Silas and David as a result. The show always found new and creative ways to throw twists at the audience that causal viewers with a cursory knowledge of the material wouldn’t have seen coming. It made it difficult to predict exactly where Kings would go next and ultimately allowed the series to forge its own identity. By the end, it was going in a direction that fans have continued to speculate about ever since…
‘Kings’ Was Cancelled Before It Had the Chance To Find an Audience
Tragically, this kind of ambition fell on deaf ears at the time. Sure, not every change to the material was worth its salt (some loved Stan’s Jack, but I could never get behind the angsty, re-imagined Prince Jonathan), but Kings forged its own path. Unfortunately, the show struggled to find an audience. Despite Green’s best efforts, Kings proved too expensive for the network, even considering the program’s unique advertising partnership with Liberty Mutual. It didn’t help that the marketing for the show was confusing in itself. While Green maintained that he got overwhelming support in his desire to re-imagine the story of King David in a contemporary way, NBC refused to promote the series as such.
“There was a fear of either backlash or marginalizing or pigeonholing,” the creator told Newsarama after the fact. “They wouldn’t go near it in the marketing, but they never had a problem with it on the creative level, which is why I was so baffled.” Even all these years later, it’s a shame that Kings never really got its due. It’s disappointing, especially considering the rise of prestige TV that would come later meant there was always an audience for a show like Kings. Instead, audiences were confused as to what Kings was exactly, and we can’t really blame them. The marketing focused more on the light sci-fi elements of the show rather than the thematic content or ancient parallels, which ultimately set the show up for failure.
Kings is available for streaming on The Roku Channel.
