USA Today

How Berlin and Guthrie Turned Patriotism Into Song

how Berlin – A World War I songwriter and a Depression-era folk icon both shaped the nation’s patriotic soundtrack—first with a war anthem that sat unused for 20 years, then with a protest that later became a unifying rallying cry.

The first time most Americans heard “God Bless America,” the moment didn’t happen in a concert hall or a grand ceremony. It arrived on a holiday radio broadcast—on Armistice Day, now known as Veterans Day—when the popular singer Kate Smith premiered the song.

Before that broadcast, though, the song had been stuck in a drawer for 20 years.

It was 1918, and World War I was still raging. A 30-year-old Russian immigrant named Israel Isidore Beilin—known to the public as Irving Berlin—was at Camp Upton in New York. a crucial training and mobilization center during the Great War. Berlin had come up with a song for the finale of a show called “Yip. Yip. Yaphank.” In that show. soldiers marched through a theater. spilled out onto the street. and then headed for transport to sail off to Europe.

The song was meant to match the mood: a rah-rah sendoff.

But when Berlin tried to pair “God Bless America” with the song the soldiers were singing as they headed out, he felt it would be too over the top. He cut it from the show. After that, “God Bless America” sat—untouched—for two decades.

In 1938, Berlin’s thinking shifted again. He was in London when British Prime Minister Neville Chamberlain held his infamous meeting with German Chancellor Adolf Hitler. When Berlin returned to the United States. he tried to write a song to express what he felt—“Thanks America.” He tore it up. he said. because it was “very bad. ” the words of a “bad editorial set to music.”.

So he reached back into what he already had. He remembered “God Bless America. ” and rewrote it as what he called a “song of peace.” He added an intro and changed the key line in the chorus so it moved from the earlier call—“Stand beside her and guide her—to the version that would later become familiar:.

“Stand beside her / And guide her / Through the night with a light from above.”

From the mountains, to the valleys, to the oceans white with foam—those lyrics gave the song a sweep that didn’t read like a battle plan. It read like protection.

That protection landed almost immediately. “God Bless America” became an instant hit. By February 1940, the song had grown into a national music standard.

Yet not everyone accepted the cheer.

Woody Guthrie, the Dust Bowl troubadour whose work often met hardship head-on, didn’t buy it. He looked at the country’s ongoing suffering from the Great Depression, and he “wasn’t so sure God was blessing those people.”

So Guthrie wrote back. He set out to create a protest song in response to Berlin’s tune. It was called “God Blessed America.”

In the version presented here, Guthrie’s lyrics turn the American landscape into something beautiful and sharp at the same time. He wrote four exquisite verses, including the lines:

“As I went walking that ribbon of highway, I saw above me an endless skyway… This land was made for you and me.”

But Guthrie also wrote two other verses. One took a shot at private property. The other—never recorded—directly questioned whether people were truly being helped:

“One bright sunny morning in the shadow of the steeple, by the relief office I saw my people… As they stood hungry, I stood there wondering if God blessed America for me.”

When Guthrie officially published the song in 1951, those last two verses were nowhere to be found. The tune had a new name: “This Land is Your Land.”

What followed became its own kind of national rerouting. Guthrie’s scathing protest song transformed into a soaring anthem of unity. the kind you could chant together in a sing-along. The chorus—“This land is your land. this land is my land”—caught on with a force described as “as contagious as COVID-19.”.

Guthrie’s earlier pushback and Berlin’s later peace lyrics now sit side-by-side in the same patriotic tradition, even though they were born out of different arguments.

Berlin and Guthrie may have started out figuratively face-to-face. As the country marks its 250th birthday. their songs stand side by side too—one arriving through a war-era show finale that was cut and saved. then repurposed into peace. the other rising from protest and later turning into a chorus millions could sing together.

Irving Berlin Israel Isidore Beilin God Bless America Kate Smith Camp Upton Woody Guthrie God Blessed America This Land is Your Land Veterans Day World War I Great Depression Neville Chamberlain Adolf Hitler

4 Comments

  1. I don’t really get how “patriotism into song” is protest too. Like wasn’t that song made to cheer people on? Maybe the article just skips the part where it wasn’t approved or something.

  2. If it was written in 1918 and then Kate Smith premiered it on Armistice Day… doesn’t that mean people were already celebrating before WWI officially ended? Seems off. Also Berlin tore up “Thanks America” because it was bad?? Sounds like he just didn’t like the vibes.

  3. This is kinda depressing ngl. Like Chamberlain meeting with Hitler and then he’s like “thanks America” and tears it up? Idk. Also why was it unused for 20 years if it was such a hit later? Feels like history is always repeating but with new lyrics.

Leave a Reply

Your email address will not be published. Required fields are marked *

Are you human? Please solve:Captcha


Secret Link