Politics

The Gaping Hole at the Heart of Financial Journalism



Economy


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September 16, 2026

Beyond the Epstein scandals.

Leon Black arrives to testify at an interview with the House Oversight Committee in Washington, DC, on June 26, 2026, as part of the committee’s investigation into convicted sex offender Jeffrey Epstein.(Kevin Dietsch / Getty Images)

For years, Leon Black, the billionaire chair and CEO of Apollo Global Management, was pummeled by the press for his ties to Jeffrey Epstein and his extramarital affairs. Detesting reporters, he had long refused to talk to them, but by 2023 he felt he had to tell his story, and so he turned to the one journalist he felt he could trust: William Cohan.

Cohan had spent 17 years on Wall Street, working on mergers and acquisitions for Lazard Frères, Merrill Lynch, and JPMorgan Chase. In 2004, he left finance for journalism. He wrote about business for Vanity Fair and Air Mail and a host of other publications with the knowledge of an insider but with enough independence to earn the respect of his peers. (In occasional conversations with him over the years, I have always found him a generous sharer of information.) Cohan was also the author of seven books about companies like Goldman Sachs, Bear Stearns, and GE, and he socialized with many top executives. When Puck launched, in September 2021, he began writing a gossipy and sometimes news-breaking column for it.

And so it was to Cohan that Leon Black decided to unburden himself. Over many hours across multiple interviews, he discussed his dealings with Epstein, his relations with women, and his career in finance. In April 2024, Cohan published two long pieces about Black in Puck. Pleased with them, Black kept talking. Now Cohan has come out with Money to Burn: The Unvarnished Truth About Leon Black, Apollo, and the Rise of a New Wall Street.

For many readers, the most immediate question will be what additional truth Cohan found about Black’s ties to Epstein and why he paid the convicted pedophile and registered sex offender $158 million, as previously reported. Alas, he did not find much. Black insists that that money went to Epstein for advice on taxes and estate planning as well as for help in the purchase of art, yachts, and planes, and that Epstein saved him between $1 billion and $2 billion in taxes. Cohan expresses skepticism about this but found nothing to contradict it.

Nor did he find any evidence that Epstein was supplying Black with women. He does, however, go into Black’s sex life at length. As Cohan makes clear, Black had affairs with many young women and made little effort to conceal them. He devotes 40 pages to his involvement with Guzel Ganieva, a Russian woman to whom Black paid millions of dollars to keep quiet. She nonetheless wanted more, and Black—convinced she was trying to extort him—began wearing a wire to their meetings at expensive restaurants. Black shared the transcripts with Cohan, and in Money to Burn he offers extensive quotations from them, which in the end seem repetitive and voyeuristic.

Cohan similarly offers long passages from his interviews, with little editing or authorial intervention to help us understand their significance. Throughout, Cohan refers to Black as well as his Apollo co-CEOs, Marc Rowan and Josh Harris, by their first names, which seems jarring. But Black does not come off well. He seems the personification of greed, rapacity, and priapism, with boundless resources to satisfy his appetites.

Current Issue

Cover of October 2026 Issue

By contrast, Marc Rowan, who succeeded Black as Apollo’s chief executive and who greatly expanded the company’s assets by engineering a 2022 merger with Athene, an annuity and retirement services giant, comes off as a princeling. Chapter headings include “Marc in Control,” “Marc Makes His Case,” and “It’s Marc’s Show Now.” “Marc,” Cohan writes, “has been the perfect choice to lead Apollo in the years since the shit hit the fan with Leon and Jeffrey Epstein, Leon and Ganieva, Leon and Josh.”

The one episode in which Rowan does not sparkle is the campaign he waged against the University of Pennsylvania (his alma mater) over its alleged antisemitism, which ultimately cost its president, Liz Magill, her job. “Some saw the irony in what Marc was doing at Penn,” Cohan writes. He cites an October 2023 article in The American Prospect that lambasted Rowan for Apollo’s treatment of workers and other forms of “the carnage with which his company’s insatiable drive for speedy investment returns has littered flyover country.”

This is one of the few places in Cohan’s 617-page account that mentions the impact that Apollo’s dealmaking has had on the country. In a chapter on the press’s coverage of the company, he offers several examples, including its purchase of Noranda Aluminum in New Madrid, Missouri. Noranda produced about 15 percent of all the aluminum made in the US. In 2007, Apollo—following standard private-equity practice—bought it for $1.2 billion, borrowing $1 billion of that sum and using Noranda’s assets as collateral. Over five years, Apollo siphoned off more than $400 million in dividends and $13 million in fees. In 2015, it sold its stake in the company, generating another $50 million in profit for Apollo’s executives and investors. The following year, the hollowed-out company filed for bankruptcy, at the cost of hundreds of jobs and millions in tax payments to the town.

Cohan’s account of Noranda’s fate is drawn from Gretchen Morgenson’s book These Are the Plunderers: How Private Equity Runs—and Wrecks—America. Money to Burn contains little original information on the often-corrosive effect that Apollo’s financial engineering has had on management, workers, and communities. The book devotes far more space to power struggles inside the firm and to Black’s relations with his father, Epstein, and his mistresses than it does to the transformative effect that Apollo and companies like it have had on America.

It’s a missed opportunity that reflects a more general failing in how the media cover finance. Business sections bulge with stories about Silicon Valley and AI, Google and Apple, Mark Zuckerberg and Elon Musk. But when it comes to Wall Street and private equity, Goldman Sachs and JPMorgan Chase, Larry Fink and David Rubenstein, news organizations are largely missing in action.

It’s impossible, however, to understand the economic malaise that has settled over America without considering the role of finance. Take the affordability crisis. Its immediate cause, of course, is rising prices, but the underlying cause is stagnant wages. As the Bureau of Labor Statistics recently noted, American workers’ share of national income fell to 52.8 percent in the second quarter of 2026—the lowest level since the bureau began tracking that figure in the first quarter of 1947. The share going to capital—executive compensation and shareholders—has risen accordingly.

Over that same period, labor productivity has increased an average of 2.1 percent a year, but the benefits have gone overwhelmingly to capital rather than to labor, and the financialization of the economy has been a major cause.

Since the 1980s, the organizing principle of the economy has been maximizing shareholder value. Corporate executives focus narrowly on quarterly earnings and do everything possible to beat analysts’ expectations and so raise the price of their stock. This creates pressure to keep costs—especially labor costs—down. Money that could go to increase wages is instead distributed to shareholders in the form of buybacks and dividends. The stock market soars while the small increases workers do get are not enough to keep pace with inflation.

Apollo has significantly contributed to such changes. Along with Blackstone, KKR, the Carlyle Group, and thousands of lesser-known private equity firms, it has carried out an unrelenting wave of mergers and acquisitions, buyouts and takeovers, downsizings and off-shorings. In some cases, these transactions have resulted in leaner, more productive companies, but in most they have produced windfalls for executives and investors while leaving behind debt-burdened enterprises. Rural hospitals, nursing homes, dental practices, vet clinics, retail chains, youth sports, chemical companies, and casinos have all felt the brunt.

In the process, the industry has become an engine of inequality. By one recent count, it has created more than 50 billionaires. Stephen Schwarzman tops the list with $53 billion; Leon Black ranks third with $17 billion.

On Forbes’s 2025 list of the 400 richest Americans, finance has the most entries, with 113 venture capitalists, hedge fund managers, private equity titans, and other investor types worth a combined $1.5 trillion. Tech is second, with 82 members on the list. They are worth more—$2.8 trillion—which might explain why they get more attention, but when it comes to the influence of the superrich on our leading cultural and intellectual institutions, it is the titans of Wall Street who dominate.

Scattered throughout Money to Burn are some eye-opening examples. Leon Black, for instance, has parlayed his fortune into a dominant position in the art world. His collection has been valued at more than $5 billion. He bought two drawings by Raphael for nearly $50 million each and paid $119.9 million for one of four versions of Munch’s The Scream. That painting hangs above the fireplace in Black’s Upper East Side mansion. Though Black has donated many works to museums, the bulk of his collection remains private. He and other private equity and hedge fund moguls crowd the boards of the nation’s top museums, giving them an influential say on what works get bought and which get displayed, which artists get rich and which struggle.

University boards are similarly beholden to finance. Marc Rowan’s campaign at Penn was just one instance in which Wall Street executives have shaped life on campus. At Harvard, hedge fund billionaire Bill Ackman led a donor revolt that helped oust Claudine Gay as its president. Harvard’s Graduate School of Arts and Sciences is named after another hedge fund billionaire, Ken Griffin, whose name also graces the economics department of the University of Chicago.

Professional sports have been similarly colonized. To cite one example, Josh Harris owns or has a large stake in five teams, including the Philadelphia 76ers, the Washington Commanders, and the New Jersey Devils. Tony Ressler, a private equity executive who is Leon Black’s brother-in-law, is the primary owner of the Atlanta Hawks. Apollo recently started a $6 billion sports-focused investment fund, and in August it invested $2.6 billion in the New York Yankees. This ongoing financialization of sports has driven up the value of franchises, fostered an arms race for players, and pushed ticket prices beyond the reach of many fans.

The acquisition of so many properties and the accumulation of so much influence has in many ways come at the expense of American workers. Buried in the vast amount of raw data that William Cohan offers in Money to Burn is the story of how a small group of men have used the tools of finance to gorge on art, real estate, planes, yachts, and women while scorching large swaths of the US economy. There’s a good book to be written about it.

Between the reemergence of right-wing red-baiting and Donald Trump’s use of the chilling National Security Presidential Memorandum–7 to criminalize left political organizing, we’re seeing McCarthyism reborn before our eyes.

This assault on democracy cannot be ignored or wished away. Resisting it requires bravery in the face of threats and repression, a steadfast commitment to the truth, and the unwavering belief that we can—and will—overcome this darkness.

We must have an independent media that sets the record straight, unearths corruption and abuses of power, and advances a politics of justice and dignity for all if we’re to win this fight.

That’s why I’m writing to you today. This September, The Nation needs to add 100 monthly donors to sustain our progressive journalism. Your contribution makes the next investigative report, the next truth-speaking column, and the next pathbreaking essay all possible. 

I hope you’ll support our work with a recurring donation today. If you donate $10 or more a month, we’ll send you a brand new “Hands Off the Free Press!” sticker to recognise your commitment to our cause. Please, donate today. 

Onward,

Katrina vanden Heuvel
Editor and Publisher, The Nation

Michael Massing

Michael Massing is the author of Now They Tell Us: The American Press and Iraq and Fatal Discord: Erasmus, Luther, and the Fight for the Western Mind. He is writing a book about wealth and influence.

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