The legendary Ridley Scott may not be the box-office draw that he once was, but he remains hugely popular on home video. His latest film, The Dog Stars, has had a particularly unfortunate theatrical run, grossing around $15 million domestically against a reported budget of around $100 million. It received mixed reviews, and was the bottom-most movie on the domestic leaderboard this past week — an unenviable achievement, considering that it was outperformed by three re-releases. That said, Scott appears to be bouncing back immediately on streaming, with one of his most divisive sci-fi movies staging a resurgence on Vudu.
The Dog Stars was Scott’s first new sci-fi film in nearly a decade. However, like Steven Spielberg‘s return to the genre, Disclosure Day, it fell short of expectations. Disclosure Day didn’t quite break out either, but it grossed nearly $250 million worldwide. The Dog Stars, on the other hand, seems to have stalled shy of the $50 million mark globally after a month of release. The movie holds a 41% score on the aggregator website Rotten Tomatoes, where the consensus reads, “A derivative and drowsy tour through the post-apocalypse, The Dog Stars‘ lush visuals can’t compensate for its listless narrative and underpowered pacing.” The film’s digital release date hasn’t yet been announced, but you can expect it to debut on PVOD platforms by the end of October.
Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring
Four horror franchises. Four completely different ways of scaring you. One waits until you fall asleep. One makes sure nobody believes you. One is already in your group of friends. And one is in the house with your family. Answer eight quick questions about how you actually watch horror, and find out which nightmare was built for you.
😴Elm Street(Freddy Krueger)
🧸Chucky(Child’s Play)
📞Scream(Ghostface)
🕯️The Conjuring(The Warren Files)
01
Which horror scene makes you cover your eyes? Four classic images. One of them is worse than the others for you.
02
You are home alone and you hear a noise. First thought? Everybody has one. It arrives before you have decided anything.
03
Which horror movie rule would you break first? Everybody thinks they would survive. Almost nobody actually does.
04
Something genuinely frightening happens. What do you do? Not in a film. In your actual living room, tonight.
05
How do you actually watch a horror film? Be honest about this one. Nobody is checking.
06
Somebody offers you serious money. Which do you still refuse? The amount does not matter. There is one on this list you are not doing.
07
Which feeling stays with you a week after the film? Good horror does not stop when the credits do.
08
Something wakes you at 3am. What is the worst possibility? Eight questions in, this is the one that decides your nightmare.
The Lights Just Went Out Your Nightmare Is…
Four franchises, four completely different ways of getting underneath
your skin. This is the one built out of your particular fear, why it works so well on you, and what
it would leave behind.
A Nightmare on Elm Street · Since 1984
Elm Street
Your nightmare does not wait outside the door. It waits for you
to close your eyes, which you are going to have to do eventually, because nobody has ever
won that particular argument.
Freddy is horror’s cruellest idea: a threat that lives in the one place you cannot
guard, cannot lock, and cannot avoid forever.
You are the one who is fine during the film and wide awake at two in the morning. Your
own head is where this does its damage.
These films understood exhaustion as a horror engine. The kids on Elm Street do not lose
because they are weak. They lose because they are tired.
You can lock every door in the house. You still have to sleep.
Child’s Play · Chucky · Since 1988
Chucky
Your nightmare is not really the doll. It is the face of the
person you tell, and the way they decide, very kindly, that you have imagined all of it.
Chucky works precisely because he is absurd. That is the trap: the more accurately you
describe him, the less anybody is going to believe you.
You are the one shouting at the screen because the characters are not listening. You
know that feeling from real life too.
The franchise is at its best when the adults in the room are the real obstacle, and you
have met those adults.
By the time somebody finally believes you, you will have handled most of it on your own.
Scream · Ghostface · Since 1996
Scream
Your nightmare has your number, knows your name, and has almost
certainly been inside your house before. The worst part is that you already know them.
Scream is the only one of these where the killer takes the mask off and turns out to be
somebody who was at the party.
You are the person who calls the twist out loud before it lands. You watch people the
same way you watch films.
The franchise made the rules of horror part of the plot, which means the survivors are
the ones paying attention. You would be paying attention.
Everybody is a suspect, including the person who just offered to walk you home.
The Conjuring · The Warren Files · Since 2013
The Conjuring
Your nightmare is not really about you. It is about the people
asleep down the hall, and the feeling that whatever is here is not interested in leaving.
The Conjuring films are domestic horror. The house, the family, the perfectly ordinary
room that quietly stops feeling ordinary.
Your instinct is to get everybody into one room. Your fear is protective rather than
personal, which is rarer than it sounds.
This is the one franchise where belief is the weapon. The people who come through it are
the ones who are not alone and refuse to be.
Whatever is here did not come for you. It came for the household, and you are the one
standing in the hallway.
Ridley Scott’s 2017 Sci-Fi Thriller Remains Hugely Popular on Streaming
Alternatively, you can join the many viewers that seem to be checking out Alien: Covenant. According to FlixPatrol, the divisive sci-fi movie was among the most-watched titles domestically on Vudu this week, proving that Scott’s work remains massively popular at home. Alien:Covenant served as a sequel to Scott’s equally divisive Prometheus, but it grossed only around $240 million worldwide against a reported budget of $100 million. The decline from Prometheus‘ $400 million-plus haul was simply too large for the Alien series to continue in that form. The franchise was resurrected by Fede Álvarez‘s Alien: Romulus a few years ago, but there has been no firm update on a sequel to that film either. Meanwhile, Scott has expressed interest in returning to the series, but he has also confessed that he wasn’t a fan of Romulus. Covenant, starring Michael Fassbender and Katherine Waterston, holds a 65% score on Rotten Tomatoes, ranking behind both Prometheus and Romulus.
Stay tuned to Collider for more updates.
Release Date
May 19, 2017
Runtime
123 Minutes
Writers
dante harper, John Logan, Jack Paglen, Michael Green
