James Bond’s future on the big screen remains one of Hollywood’s biggest unanswered questions, but audiences, as it turns out, are going to see a very familiar face as the legendary MI6 agent in theaters again. Twenty years after Daniel Craig (Knives Out) made his debut as Bond, the movie that completely reinvented the character for a new generation is heading back to the big screen.
Casino Royale is officially returning to theaters in October to celebrate its 20th anniversary, putting Craig’s James Bond back on the big screen five years after his final appearance in No Time to Die. Produced on a reported budget of $150 million, Casino Royale emerged as the top-grossing Bond movie of all time until Skyfall, with a total global box office haul of over $605 million. The film introduced audiences to a young James Bond, freshly graduated and a new 00 having just earned his first two kills. Bond ends up on the trail of the enigmatic Le Chiffré, a financier with a lust for power and card games.
The movie is now sitting at a “certified fresh” 94% critics’ score and a 90% audience score on the aggregator website Rotten Tomatoes, where the consensus reads, “Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: a caustic, haunted, intense reinvention of 007.”
Collider Exclusive · James Bond Personality Quiz Which James Bond Actor Are You Most Like? Connery · Moore · Dalton · Brosnan · Lazenby · Craig
Six actors. Six completely different visions of the same man — dangerous, charming, complicated, and almost certainly wearing a very good suit. Only one of them shares your particular way of moving through the world. Eight questions will figure out which Bond you really are.
🏴Connery
😄Moore
🎭Dalton
✨Brosnan
🤵Lazenby
💠Craig
01
How do you carry yourself when you walk into a room? Bond is always the most interesting person in the room. The question is how he makes you feel it.
02
How do you handle a dangerous situation? Every Bond faces it differently. What does your version look like?
03
How do you charm someone you need on your side? Bond always gets what he needs. The method varies considerably.
04
How do you handle your emotions on the job? Every Bond deals with this differently. Most of them not particularly well.
05
How would your colleagues describe your working style? MI6 has opinions about all of its 00s. What are theirs about you?
06
How do you feel about operating within the rules? The licence to kill comes with terms and conditions. Not everyone reads them.
07
What is your relationship with love? Every Bond has a different answer. None of them have found it easy.
08
When the mission is over, how do you want to be remembered? The name is Bond. The rest is entirely up to the man behind it.
The Name Has Been Determined Your Bond Is…
Six actors. One role. Your answers point to the Bond who shares your presence, your method, and your particular way of carrying the weight of being the most dangerous person in the room.
Dr. No — You Only Live Twice · 1962–1967
Sean Connery
You are the original — and you carry that fact without needing to announce it. There is an authority in the way you occupy a room that others spend careers trying to replicate.
You don’t explain yourself, justify yourself, or soften yourself for anyone’s comfort. The confidence is structural, not performed.
Connery’s Bond established everything — the tone, the danger, the cool — because Connery himself had the innate presence to make something that had never existed feel inevitable.
You share that quality: the sense that you were always going to end up exactly here, doing exactly this.
The name is Bond. In your case, it always was.
Live and Let Die — A View to a Kill · 1973–1985
Roger Moore
You understand something that more serious people miss: that wit is its own form of intelligence, and that making people laugh is not a retreat from danger but a way of mastering it.
Moore’s Bond is underrated precisely because the effortlessness looks easy — and effortlessness is the hardest thing to manufacture.
You have the same quality: a lightness that disarms people before they realise how sharp you actually are.
The raised eyebrow, the perfectly timed quip, the refusal to be rattled — these are not affectations. They are a philosophy about how to move through a world that would like to take itself too seriously.
You have never let it.
The Living Daylights · Licence to Kill · 1987–1989
Timothy Dalton
You took the role seriously when everyone wanted you to coast — and that refusal to take the easy version of anything is the most defining thing about you.
Dalton’s Bond has genuine moral weight: he feels the cost of what he does, he has lines he won’t cross, and he is not interested in the version of himself that pretends otherwise.
You share that intensity. You push harder than the situation technically requires, because you have a standard and you hold yourself to it.
He was ahead of his time — the Bond the franchise wasn’t quite ready for yet, arriving exactly when he was meant to.
You know what that feels like.
GoldenEye — Die Another Day · 1995–2002
Pierce Brosnan
You are the complete package — and you know it, which is part of what makes you so effective and occasionally so infuriating to the people around you.
Brosnan arrived at the role looking exactly like Bond was supposed to look, and he delivered on that expectation with a professionalism that made it seem effortless.
You have the same quality: a smooth competence, a charm that operates like a precision instrument, and the ability to make even difficult things look like they weren’t.
His era was the most commercially successful in the franchise’s history. There is a reason for that.
The reason is that some people simply fit their moment perfectly. You are one of those people.
On Her Majesty’s Secret Service · 1969
George Lazenby
You stepped into something enormous with less preparation than anyone around you thought was sufficient — and you delivered something genuine anyway, which is the more impressive achievement.
Lazenby’s single outing is, by many measures, one of the finest Bond films ever made — and he is not a small part of why.
You share his quality of raw authenticity: less polished than the alternatives, more honest for it, capable of something real that technique alone can’t produce.
He was underestimated, and then he wasn’t, and then history caught up with him.
You are the kind of person history catches up with. Give it time.
Casino Royale — No Time to Die · 2006–2021
Daniel Craig
You stripped everything back and found what was underneath — and what was underneath was harder, more honest, and more human than anyone expected.
Craig’s Bond is the franchise’s most psychologically complete: a man doing a brutal job, carrying its costs imperfectly, capable of love and loss in ways that can’t be dismissed.
You share that depth. You don’t hide behind the role or the charm or the suit — you let the work show what it actually costs.
He was controversial from the moment he was announced and definitive by the time he was finished. The sceptics became the believers.
That arc — of being underestimated and then undeniable — is one you know intimately.
Who Will Be The New James Bond?
That’s the big question, isn’t it? Speculation has been afoot for months now ahead of the announcement — due any day now — as to who will be the latest to take on the tuxedo, the martini and the Walther PPK. Names linked have included stars like Tom Hardy, Idris Elba, Aaron Taylor-Johnson before they were whittled down to the likes of Jacob Elordi, Harris Dickinson and, in the eyes of many, the perfect choice in Slow Horses star Jack Lowden.
The new film is being produced by Amy Pascal and David Heyman while Dune filmmaker Denis Villeneuve will take over as director for the first movie to be released under the new Amazon MGM banner.
The re-release is being handled in the U.K. by Park Circus, with cinemas including Vue beginning screenings from October 2 and the wider anniversary release listed for early October.
Release Date
November 17, 2006
Runtime
144 minutes
Director
Martin Campbell
Writers
Neal Purvis, Paul Haggis, Robert Wade, Ian Fleming