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UK-based Nigerian wins Platinum at 2026 MUSE Photography Awards

Olamide Adegboye, a UK-based Nigerian photographer, won a Platinum award at the 2026 MUSE Photography Awards and plans a London exhibition in May 2026.

A Platinum award is putting a UK-based Nigerian photographer in the international spotlight.

Olamide Adegboye has won Platinum recognition at the 2026 MUSE Photography Awards in the Fine Art Photography Conceptual category, according to information shared by Misryoum.. The winning entry, “Ara Ní ń Rántí, Ẹ̀mí Ní ń Rí,” was evaluated through an international awards assessment process that considers submissions from photographers worldwide.

Misryoum described the project as an investigative journey into Black interior life, presented as a visual record of spiritual energy and memory within the Diaspora community. Organisers added that Adegboye’s compositions and storytelling stood out across global entries.

This kind of recognition matters because it signals how cultural documentation is increasingly treated as a form of contemporary visual scholarship, not only artistic expression.

Adegboye, reacting to the win, said the award is a milestone while his larger aim remains documentation and cultural preservation.. He framed his practice as “Visual Stewardship,” describing it as a careful archival intervention designed to protect the spiritual cartography of the Black interior life.

He also positioned the achievement as part of a broader mission: bringing underrepresented histories into clearer view and helping build a wider understanding of the Black experience.. For him, the work is less about personal recognition and more about ensuring difficult-to-tell histories are not lost.

The exhibition is scheduled to run in London from May 15 to 20, 2026, Misryoum reports. The presentation is expected to include a dialogue involving art critic Jean Wainwright, with whose works some archives are kept at Tate.

In a moment when audiences are looking for deeper context behind photography, a scheduled exhibition and public conversation can turn award attention into sustained engagement with the themes at the heart of the project.

The win also reflects Adegboye’s growing influence in the international photography community, as Misryoum noted. With the London dates approaching, attention is likely to shift from the award itself to how his documentation-led approach will resonate with viewers in person.

For creatives, that transition from global recognition to public showing is often where impact becomes tangible, and where stories can find new audiences.

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