Business

Creator trips to China: how fandoms get built long-term

creator strategy – Misryoum profiles Shenzhen-based creator strategist Julie Zhu on what it really takes for global influencers to connect with China.

A global influencer landing in China sounds simple, but getting audiences to stay is a different business entirely.

For Julie Zhu. a China market strategist for global creators based in Shenzhen. the work begins long before the first post goes live.. Over the past decade. Misryoum reports that Zhu has helped creators including Khaby Lame and Pamela Reif tour China. with a focus on localization and audience growth rather than one-off appearances.. In this context. the goal is clear: help influencers build enduring fandoms by making their content feel native to Chinese platforms and culture. not merely translated.

Zhu’s approach evolved sharply after the pandemic. when China’s lockdowns pushed many people to stay home and follow workout routines online.. Pamela Reif’s content found a viral rhythm with Chinese audiences. and the next step was about turning attention into a real-world relationship.. Zhu proposed that Reif travel to China for events and interactive experiences. bringing audiences together around the routines they had already embraced online.

Insight: For brands and investors watching creator economics, this shift matters because follower growth increasingly depends on platform fit and cultural relevance, not just reach.

During the tours, Zhu coordinated logistics and storytelling beats, from major cities and landmarks to meetings with local platform ecosystems.. She also emphasizes the “translation” role: connecting creators, Chinese partners, and brands so everyone understands expectations on both sides.. That includes brand partnerships tied to the trip. plus local collaborators who can help shape how an influencer shows up beyond the camera.

In practice, the work can be intensely personal.. Zhu describes herself as something like a nanny during trips. handling food. transportation. and coordination while recognizing that creators still need to be the faces of the content.. One example Misryoum highlights is a traditional Chinese massage experience with Khaby Lame. who initially reacted strongly but ultimately appeared more relaxed—underscoring how cultural activities can change an influencer’s on-camera energy and narrative.

Insight: This “behind-the-scenes” layer can be the difference between travel content that performs briefly and experiences that audiences interpret as genuine connection.

Zhu also argues that the biggest mistake global creators make in China is underestimating localization.. China’s creator ecosystem runs across multiple platforms. each with distinct audience segments and content logic. so success often requires tailored pacing. storytelling structure. emotional tone. and platform-specific strategy.. In her view, it is not enough to repost the same material everywhere.

There’s also a longer-term lens.. Misryoum notes that Zhu encourages creators to think of China not only as a market to visit. but as an ecosystem where they can become brands.. She points to China’s manufacturing and supply-chain capabilities as part of that opportunity. while stressing that commercial work requires careful compliance. including the right visa arrangements under Chinese regulations.

Insight: For readers tracking the creator economy as a business trend, enduring fandoms function like a durable asset—built through consistency, cultural fluency, and credible partnerships rather than a single viral moment.